Audiovisual

Permanent URI for this collectionhttps://hdl.handle.net/1885/315800

Aboriginal and Torres Strait Islander people should be aware that this website contains images, voices and names of people who are deceased. Please be aware that words and descriptions reflect the period in which they were created and may be culturally insensitive or considered inappropriate today.

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Access status: Restricted ,
The flow of U: an acoustical composition in fine-tuning: trio (soprano, alto, baritone)
(Lingua Press, 1978) Gaburo, Kenneth
Performed by members of New Music Choral Ensemble IV.
Access status: Restricted ,
20th Century Choral Music: one. New Music Choral Ensemble directed by Kenneth Gaburo, 1962-1968
(Lingua Press, 1983) Gaburo, Kenneth; New Music Choral Ensemble of the University of Illinois; Dreazen, Phyllis; Ives, Charles, 1874-1954; Johnston, Ben; Shallenberg, Robert, 1930-2005; Oliveros, Pauline, 1932-2016; Nono, Luigi; Webern, Anton, 1883-1945; Messiaen, Olivier, 1908-1992
1. Serenity / Charles Ives (1:31) -- 2. Ci-git-Satie [sic] / Ben Johnston (3:25) -- 3. Lilacs / Robert Shallenberg (3:03) -- 4. Sound patterns / Pauline Oliveros (3:25) -- 5. Sara dolce tacere / Luigi Nono (7:15) -- 6. Entflieht auf leichten Kahnen [sic], op.2 / Anton Webern (2:32) -- 7. Cinq rechants / Olivier Messiaen (17:34). -- Issued in 1971 on LP: Ars Nova/Ars Antiqua AN 1005. -- Includes excerpts from a review by Phyllis Dreazen. This review bears no direct relation to the contents.
Access status: Restricted ,
Musical instruments at the Victoria and Albert Museum
(Her Majesty's Stationery Office, 1979) Victoria and Albert Museum; Narrator: Carole Patey; Producer: Ritchie Cogan
Access status: Restricted ,
Orga-Nastro, by Ernst Krenek
(Bärenreiter, 1973) Krenek, Ernst, 1900-1991
Access status: Restricted ,
Kenneth Gaburo tape play collection, 1964-5
(Lingua Press, 1978) Gaburo, Kenneth
Mixtures of concrete and electronically generated signals. -- 1. Fat Millie's lament (4:34), 1965. -- 2. The wasting of Lucrecetzia (3:43), 1964. -- 3. For Harry (4:47), 1965. -- 4. Lemon drops (2:51), 1965. -- 5. Dante's joynte (6:00), 1965.
Access status: Restricted ,
Project 'Sawdust', by Herbert Brun, tape 3
(Lingua Press, 1978) Brün, Herbert, 1918-2000
1. More dust (with percussion): opus 46a (1979) (13:45).
Access status: Restricted ,
Project 'Sawdust', by Herbert Brun, tape 2
(Lingua Press, 1978) Brün, Herbert, 1918-2000
1. Dustiny: opus 47 (1979) (5:45) -- 2. A mere ripple: opus 48 (1979) (11:45).
Access status: Open Access ,
Project 'Sawdust', by Herbert Brun, tape 1
(Lingua Press, 1978) Brün, Herbert, 1918-2000
1. Dust: opus 45 (1976) (9:10) -- 2. More dust: opus 46 (1977) (12:30).
Access status: Restricted ,
Soliloquy: for solo percussion, by William Kraft
(New Music West, 1979) Kraft, William
Access status: Restricted ,
Durant Robertson: The Reasons Being (1975-1977)
(Lingua Press, 1978) Robertson, Durant; Performer: Philip Romeo
Wedding: To celebrate my marriage.--Vision for two guitars: Is.--Mushroom: Ballad.--Dance: The guitar dances all the while providing its own accompaniment.--Back home: Long ago and far away- is now and was then- a dream only for those awake living forever.--Came from and returning.--L'Onda: The wave is one with the ocean.--Seven: Rhythmic polyphony, with seven notes constant throughout. -- Program notes, in part by the composer, on container. -- Music for 1 or 2 guitars, performed by the composer and Philip Romeo.
Access status: Restricted ,
Thangboche: 1980; Tribute to Escher: 1981, by E. Courtney Piatt
(Lingua Press, 1983) Piatt, E. Courtney
Title from container. -- Includes brief historical note on back of container.
Access status: Open Access ,
Remote: a contemporary music theatre production performed at the ANU Arts Centre, 31st August 2000 at 8pm
(2000) Canberra School of Music. Contemporary Music Theatre Ensemble; Institute of the Arts (1992-2001)
Access status: Open Access ,
Malcolm Williamson rehearses the opera "The Stone Wall" at Koomarri, recorded 1981
ANU Instructional Resources Unit (1975-1996); Koomarri; Speaker: Malcolm Williamson (1931-2003)
In 1973 Williamson spent three months as a Creative Arts Fellow at the Australian National University where he developed his interest in the use of music as a form of educational therapy for intellectually disabled children. His work included a production of a children's opera with members of the Koomarri School. Williamson returned to the ANU in 1981 as Creative Arts Fellow, and reconnected with the Koomarri students.
Access status: Restricted ,
Buried Country
(2000) Director and writer: Andy Nehl; Writer: Clinton Walker; Producer: Liz Watts; Narrator: Kev Carmody
Aboriginal and Torres Strait Islander people should be aware that this film recording contains images, voices and names of people who are deceased. -- Where black Americans turned to the blues to express their stories, Australia's Aboriginal people were drawn to country and western music and made a special music all of their own. Buried country traces over six decades of this rich musical tradition. Features performances by Bobby McLeod, Bob Randall, Vic Simms, Wilga Williams, Auriel Andrew, Jimmy Little, Troy Cassar-Daley, Slim Dusty.
Access status: Restricted ,
Mimi: an evening with the Aboriginal Islander Dance Theatre
(Reese/Smith, 1988) Director and producer: Andee Reese; Director and producer: Margaret Anne Smith
Aboriginal and Torres Strait Islander people should be aware that this film recording contains images, voices and names of people who are deceased. -- Presents performances of contemporary and traditional Aboriginal and Torres Strait Islands dance by the Aboriginal Islander Dance Theatre, as well as interviews with the principal dancers and choreographers.
Access status: Restricted ,
Sadness: a monologue by William Yang
(Film Australia, 1999) Yang, William (1943-); Director and writer: Tony Ayres; Producer: Michael McMahon; Producer: Megan McMurchy; Editor: Reva Childs; Cinematographer: Tristan Milani
William Yang explores themes of gay identity and Chinese immigration to Australia, speaking directly to the viewer, and showing slides of family and friends. He slowly unearth hidden family stories, which link to the stories of friends who have recently died of AIDS. -- Based on the original stage performance "Sadness" by William Yang. -- "Produced in association with SBS Independent ... A National Interest Program" - Credits.
Access status: Restricted ,
Milliya Rumarra: Brand New Day
(I.F. Productions for W.A. Filmworkers, 1984) Director and producer: Bryan McLellan; Director and producer: David Noakes; Narrator: Wayne Bynder
Aboriginal and Torres Strait Islander people should be aware that this film recording contains images, voices and names of people who are deceased. -- Records the festival of Aboriginal art held in Perth which attracted participants from all over Australia. "Combines traditional dance and song with the activities of urban Aboriginal performers Maureen Watson, Jack Davis and Vic Hunter."
Access status: Restricted ,
Music and Dance in Traditional Aboriginal Culture
(Monash University, 1990) Moyle, Alice M. (Alice Marshall) (1908-2005); Writer, producer and compiler: Alice M. Moyle; Narrator: Bob Maynard
Aboriginal and Torres Strait Islander people should be aware that this film recording contains images, voices and names of people who are deceased.
Access status: Restricted ,
Supplementary cassette tape for Yearbook for Traditional Music 20, by Steven Feld
(International Council for Traditional Music, 1988) Feld, Steven
Supplements article by Steven Feld in the Yearbook. -- Side A: Example tape: 'lift-up-over sounding' Kaluli, Bosavi, Papua New Guinea -- Side B: Voices in the Forest: a PNG Soundscape.
Access status: Restricted ,
Mutations: a multi-media composition for brass quintet, audio and film recordings
(Shawnee Press, 1972) Ellis, Merrill, 1916-1981
Original kit includes: 1 score (24 pages) + 5 parts, prepared electronic tape, 16mm film projection and 35mm slide projections, instructions for performance.

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