Cultural advice

The Australian National University acknowledges, celebrates and pays our respects to the Ngunnawal and Ngambri people of the Canberra region and to all First Nations Australians on whose traditional lands we meet and work, and whose cultures are among the oldest continuing cultures in human history.

Aboriginal and Torres Strait Islander peoples are advised that ANU Library collections may include images, names, voices, and other representations of deceased persons.

Material in the collection may contain terms, language or views that reflect the period in which the item was created and may be considered inappropriate today.

Dramatizing war: George Packer and the democratic potential of Verbatim Theater

dc.contributor.authorChou, Marken
dc.contributor.authorBleiker, Rolanden
dc.date.accessioned2026-05-31T07:40:52Z
dc.date.available2026-05-31T07:40:52Z
dc.date.issued2010en
dc.description.abstractTimes of war are often times when democratic debates are under siege. The apparent necessity to ward off an enemy and secure the nation's survival can trigger a state of exception: a partial suspension of crucial democratic rights and practices for the sake of national security. The purpose of this essay is to examine the potential and limits of theater to offer an alternative forum for public debate in contexts where freedom of speech is limited. To do so, the authors systematically analyze the content and context of one play: George Packer's 2008 award-winning play, Betrayed. Through their analysis, they make two key arguments about the democratic potential of theater. First, that theater has the potential to sidestep political censorship during a time of war. And second, that theater can give voice to a multitude of real characters and under-represented perspectives.en
dc.description.sponsorshipWe would like to thank Anne McNevin, the participants of the Geopolitics and Visuality workshop at the University of Queensland, the journal editors and the two anonymous reviewers for their assistance in the production of this article. Mark would also like to acknowledge the University of Queensland’s Graduate School Research Travel Grant and the Aurora Theatre Company in Berkeley.en
dc.description.statusPeer-revieweden
dc.format.extent14en
dc.identifier.issn0739-3148en
dc.identifier.otherORCID:/0000-0001-5142-2172/work/216102921en
dc.identifier.scopus79956234352en
dc.identifier.urihttps://hdl.handle.net/1885/733809766
dc.language.isoenen
dc.sourceNew Political Scienceen
dc.titleDramatizing war: George Packer and the democratic potential of Verbatim Theateren
dc.typeJournal articleen
dspace.entity.typePublicationen
local.bibliographicCitation.lastpage574en
local.bibliographicCitation.startpage561en
local.contributor.affiliationChou, Mark; University of Queenslanden
local.contributor.affiliationBleiker, Roland; University of Queenslanden
local.identifier.citationvolume32en
local.identifier.doi10.1080/07393148.2010.520441en
local.identifier.purec1badf4c-be61-4d00-959e-409d889443a0en
local.identifier.urlhttps://www.scopus.com/pages/publications/79956234352en
local.type.statusPublisheden

Downloads

abcd