Nigel Westlake: Fabian Theory (1987)

Abstract

"This work, for percussion solo and digital delay, was composed in 1987. An electronic delay system is employed throughout the piece, which reproduces the live signal 566 milliseconds (about half a second) after it has been played. This creates the illusion of more than one marimba, and provides a rhythmic counterpoint to the live performance. The player is requested to play in tight synchronisation with the delayed signal, and different rhythmic effects are achieved by moving through a number of tempo changes. The use of the delay gives rise to the work's title, which is a reference to the great Roman dictator, Fabius Maximus, whose victories were attributed to the use of delay tactics in battle." -- Nigel Westlake